第一部中非类型化的日常味道消失，似中世纪传说，盲人乐师、巫婆似的女仆、有男巫装束和名字的邪恶博士.
人物动机也用人质交代得更清楚.
类型化也突出了伦理主题：孤独的人；创造的亵渎. 亮点是因丑陋不被接受. 造男人靠大脑，造女人靠心脏. 我注意到音乐更有特色，这个年代是恐怖片音乐奠基的时代吗？我觉得不错，一半是德州风土人情片，一半是修复亲密关系的电影，节奏不急不缓，最值得称赞的是片子亲人关系的表现，兄弟之间互相打趣一起打架捍卫对方，小孩童言无忌模仿电影里的强调嘲笑祖父罗圈腿，仇恨骑警的西裔，牧场里智力不足的厨子. 中国人一定很能理解德州老牛仔那种不说出口的爱，那种父辈的压迫. 所以片中父亲宁可被儿子记恨被上帝厌恶被邻里唾弃也想做出正确的事去弥补自己的过错，其实很难得. 片尾女骑警回到父亲的农场和兄弟们共骑那段点出了全片主题：去爱，而不是仇恨. The new film, “A Trip to Gibberitia” (“Le Voyage en Charabie”), is an original story from Guillaume Mautalent and Sebastien Oursel, though it is still based on the IP and characters of the original books. It’s described as a new adventure that takes Ernest and Celestine back to Ernest’s country, Gibberitia, to fix his broken violin. This exotic land is home to the best musicians on earth and music constantly fills the air with joy. However, upon arriving, our two heroes discover that all forms of music have been banned there for many years – and for them, a life without music is unthinkable. Along with their friends and a mysterious masked outlaw, Ernest and Celestine must try their best to bring music and happiness back to the land of bears..
